by Jonathan Kendall
Infinite Recursions: A Fractal Odyssey is a long-form electronic album built around the idea of repetition as discovery. Rather than chasing climaxes or conventional song structures, the record unfolds slowly, revealing detail through iteration, drift, and gradual transformation. Each piece acts like a zoom into a mathematical landscape—familiar patterns repeating at different scales, but never quite the same twice.
The album moves through evolving textures, soft pulses, and slow harmonic shifts, designed for extended listening rather than interruption. Melodies emerge gently and dissolve just as easily, replaced by new forms that feel mathematically related rather than narratively resolved. It’s music that rewards patience: the deeper you listen, the more structure appears.
Visually and conceptually, the project draws inspiration from fractal geometry, recursive systems, and natural self-similarity. That influence carries through not just the artwork, but the pacing and flow of the record itself. Tracks transition like adjacent regions of the same infinite shape—distinct, yet clearly part of a unified whole.
Infinite Recursions is meant to function as both foreground and background: immersive enough to command attention, yet restrained enough to coexist with focus, reflection, or motion. It’s an album for long nights, sustained concentration, and quiet curiosity—music that doesn’t rush to explain itself, but invites you to explore.
The full album is available across major platforms: